Interference Pattern

2022

(02:14)

Installation Documentation

Car body, steel ropes, drip irrigation system, black paraffin wax, water, gelatin, mirror no. 1 (6.5 x 13 ft), mirror no. 2 (6.5 x 6.5 ft), tarp, video loop projection (05:00).

Cinematography and Post Production: Pavel Dmitrochenko

Arum Palestinum

2021

(04:32)

An audiovisual work about the relationship Younes had with Jimmy, a conservative man. In the work, Younes portray the great distinction in their cultural views, values, and in the way they perceive art. Here, the artist juxtaposed the audio with a moving image of irregularity she observed at the streets of Jerusalem.

Translated and read by Maya Thomas

Juice

2021

(03:47)

An audiovisual work, in which Younes confess about the way she dealt with the fall-out from the sexual assault that happened to her as a teenager.

This work is a juxtapose of a video at the time she had snuck into a construction tunnel and had gotten trapped there.

Translated and read by Maya Thomas

Roitex

2021

(09:01)

A video work, in which Younes tells about the time she had worked for a foreign exchange trading company, and the moral conflicts of working for, what later turned out to be a fraudulent company. Through the text, Younes sheds light on addictive elements in her past, as well as the way in which she used to manipulate men in work. This piece is a juxtaposed a moving image of the artist as she wipes dirt from the hands of five strange men.

Translated and read by Maya Thomas

True Kaleidoscope

2021

(05:20)

This work explores the difference between art and pornography, while simultaneously recreating traumatic experiences - presenting insecurity, narcissism and manic elements. This video features three early works of Younes: Anna O (Video, 2019), Self Portrait Inside a Toyota (Oil on wood, 2019), and Self Portrait (Oil on wood, 2020).