Interference Pattern

2022

(02:14)

Installation Documentation

Car body, steel ropes, drip irrigation system, black paraffin wax, water, gelatin, mirrors, tarp, video loop projection (05:00).

Cinematography and Post Production: Pavel Dmitrochenko

Arum Palestinum

2021

(04:32)

An audiovisual work about the relationship Younes had with Jimmy, a conservative man. In the work, Younes portray the great distinction in their cultural views, values, and in the way they perceive art. Here, the artist juxtaposed the audio with a moving image of irregularity she observed at the streets of Jerusalem.

Translated and read by Maya Thomas

Juice

2021

(03:47)

An audiovisual work, in which Younes confess about the way she dealt with the fall-out from the sexual assault that happened to her as a teenager.

This work is a juxtapose of a video at the time she had snuck into a construction tunnel and had gotten trapped there.

Translated and read by Maya Thomas

Roitex

2021

(09:01)

This video work weaves personal narrative with performance to question complicity, agency, and selfhood within systems built on deception. Through spoken recollections of working under a false name at a fraudulent trading company, Nadia Younes reflects on manipulation, addiction, and guilt. The parallel image—Younes wiping dirt from the hands of five strangers—becomes a ritual of ambiguous intimacy, responsibility, and attempted absolution. Roitex asks what it means to participate in harm —to use and be used —and how one seeks cleansing or forgiveness when the lines between victim and perpetrator blur.

Translated and read by Maya Thomas

True Kaleidoscope

2021

(05:20)

This work explores the difference between art and pornography while simultaneously recreating traumatic experiences, presenting insecurity, narcissism, and manic elements. This video features three early works of Younes: Anna O (Video, 2019), Self-Portrait Inside a Toyota (Oil on panel, 2019), and Self-Portrait (Oil on panel, 2020).