Interference Pattern (2022) was first presented in the Bezalel Academy of Arts and Design graduate exhibition. The installation suspended a stripped car shell from the ceiling inside a mirrored room. A pump system introduced slow leaks of water and thicker liquids that pooled and reflected light, throwing moving images across the vehicle and surrounding walls. A single-channel video, True Kaleidoscope (05:20), played within the space.
The project combined mechanical form, reflective surfaces, and screen imagery within the same environment to explore how visual perception is structured. It engaged debates around the gaze (after John Berger) and the ways viewers internalize modes of seeing. By pairing a physically imposing object with an optical system that constantly reframes it, the work focuses attention on spectatorship, mediation, and the overlap between body, image, and infrastructure.

Photographs by Erik Preis and Lena Gomon